AI is seemingly everywhere these days. In Hollywood, questions about its role in the filmmaking process are accompanied by legal concerns that have embroiled the embattled entertainment world for some time now. It's also frequently a subject of the stories onscreen themselves, as in "Mercy."
Two of the hottest topics you could mention in a room today are the rise of A.I .computing and the jurisprudence of the American police system. In Mercy, director Timur Bekmambetov uses both subjects to make another case for his recent storytelling obsession known as Screen Life. That decision is
The concept shown in Mercy’s first trailer has movie fans drawing parallels between director Timur Bekmambetov’s latest experiment in ScreenLife and Minority Report. That’s a comparison that needs to be put on the table as it’s too loud to ignore, but we're not here to talk about that.
We're in the era of liminal spaces, folks. Movies like Skinamarink, Backrooms, and Exit 8 have all proven that audiences, especially younger audiences, can't get enough of them. it Ends brings us really two liminal spaces in one movie. The film tells the story of four friends who are getting
Robot Chicken, Adult Swim's irreverent and long-running stop-motion sketch show created by Seth Green and Matthew Senrich, remains one of Adult Swim's longest-running and most famous series. Who better to celebrate Adult Swim's 25th anniversary? With Robot Chicken's long history of turning myriad
Normally, when a horror franchise reaches the sixth installment and the previous installment was the "Final Chapter" for the characters that the series is known for, there are some bumps in the road. Logic dictates that the story is only going to get bigger and more convoluted as we have to add in
