As Batman fans, you all finally know the wait is over. On June 22 Warner Bros. and DC released the highly anticipated feature-length animated film Batman: The Long Halloween, Part 1. Directed by Chris Palmer, Batman: The Long Halloween stars the voices of Jensen Ackles (Batman), the late Naya
If you're a Blu-ray collector or just a fan of 80's horror, Kathryn Bigelow's Near Dark is high up on the list of movies that need a new version. There was one release all the way back in 2009, with a HORRIBLE cover that was reminiscent of Twilight. Since then, the Blu-ray has gone out of print and
Alan B. McElroy reboots his own series for director Mike P. Nelson and the franchise is headed… in the right direction. (See what I did there?)
With the upcoming release of Godzilla Vs. Kong, Kong fever is reaching a fever pitch. The eternal battle of who'll win is definitely high in the air. Scream Factory has those out there covered who are looking for all things Kong though. The 1976 remake of King Kong might not be the most well
Few people have such a memorable impact on our lives as teachers and mentors. They range from a parent, to a teacher, or a coach. Many times the great teachers are the ones from the silver screen. These include unforgettable names such as Ben Kenobi/Yoda, Gandalf, or perhaps coach Herman Boone from
Joe Bob Briggs and Darcy the Mail Girl returned for The Last Drive-In: Joe Bob's Halloween House Party, delivering a double feature built around two very different approaches to Halloween horror. This time, the legendary horror host paired Body Bags (1993) with WNUF Halloween Special (2013),
George Carlin told perhaps the greatest joke on football ever told in his 10/11/1975 SNL monologue, where he contrasted the pastoral nature of baseball with the warlike sport of football. To quote one segment among many, “In football the object is for the quarterback, also known as the field
The term "crowd pleasing" or "crowd pleaser" has found itself layered with some derogatory undertones among critic circles. Broad appeal seems immediately discounted, as if populist filmmaking is somehow lesser than when compared to auteurs and hidden indie gems. I've always maintained that there
