Bill Skarsgard Takes Revenge In Boy Kills World On Digital Boy Kills World takes some truly frenetic action and bombastic visuals home on Digital and On Demand on May 28th. The movie stars Bill Skarsgård, Jessica Rothe, Michelle Dockery, Brett Gelman, Isaiah Mustafa, Yayan Ruhian, with Andrew Koji,
Boy Kills World has a lot going for it. There's a stylistic aspect of the film that cannot be denied. It's designed to feel like a video game, complete with boss fights, and power ups. In that way, the film succeeds immensely. The action is frenetic and fluid. The story however, is where the film
Want to see Bill Skarsgård go on a rampage? How about some extremely stylized filmmaking? Well, you get both of those in Boy Kills World from director Moritz Mohr. No, it's not the alternate universe Boy Meets World, but if you need a synopsis, here's one. Skarsgård stars as "Boy" who vows revenge
Spring is incoming, and so are new shows and movies to watch this April. Look out for new seasons of returning TV hits, including American Horror Story, Star Trek: Discovery, Walker, and Welcome to Wrexham. You can also try new shows like Netflix’s Ripley, Mary & George on Starz, The Veil on Hulu,
Today, Lionsgate and Roadside Attractions released the official trailer for the new action movie, Boy Kills World. The new film stars Bill Skarsgård as "Boy", who is out for revenge against those who murdered his family. Alongside Skarsgård, the film also stars Jessica Rothe, Michelle Dockery,
Daemons of the Shadow Realm gives us some truly fateful meetings between old friends (and family) and new in Ep. 14 "Family and Friends". All complete with some dark secrets spilling forth out of the shadows, and Yuru's bond with his old friends and family being tested quite a bit. All in all, I
Cinema history is riddled with both coming-of-age tales and biopics aplenty. Tony, the new feature by Matt Johnson (BlackBerry, Nirvanna the Band the Show the Movie), lies at the intersection of these well-worn traditions. Based on Anthony Bourdain’s chronicles of his early journey into the
Indulging every absurd idea that pops into his head, the film unfolds with propulsive vibrance and unshackled execution. That approach turns out to be a bit of a gift and a curse for Riley; a gift in the sense that we get something fresh and original, but a curse because its unbridled approach