Like a host of legendary Hollywood figures (think James Cameron, Francis Ford Coppola, Peter Jackson, and Martin Scorsese) Alec Gillis got his Hollywood start thanks to the inimitable Roger Corman, whose mountain of cult and genre films launched the brightest stars in New Hollywood. Gillis worked
Avatar: Fire And Ash revealed a new look at the Ash Tribe. Viewers were introduced to the Water Tribe during the franchise’s last movie. This time, Jake Sully and his family will have to contend with these colorful newcomers, Empire Magazine talked to Avatar: Fire And Ash‘s costume designer
Avatar is one of the most famous and successful of the massive list of films by James Cameron. It's so successful that he has been working on nothing but that for decades now, ever since that first film all the way back in 2009. His whole film schedule is actually booked all the way to 2029, which
Physical media fans have been waiting for this one for a long time. We've had DVD releases of The Abyss, True Lies, and Aliens, but not any HD versions that were specifically looked over and orchestrated by James Cameron. Now, that all changes, because all three films are up for pre-order and
Let's get it out of the way. Yes, James Cameron can be a *bit* prickly and cocky. But when you make movies like Terminator 2: Judgment Day, The Abyss, and Titanic, you can talk all the smack you want. He's achieved the most technically marvelous-looking film I've ever seen with Avatar: The Way Of
Joe Bob Briggs and Darcy the Mail Girl returned for The Last Drive-In: Joe Bob's Halloween House Party, delivering a double feature built around two very different approaches to Halloween horror. This time, the legendary horror host paired Body Bags (1993) with WNUF Halloween Special (2013),
George Carlin told perhaps the greatest joke on football ever told in his 10/11/1975 SNL monologue, where he contrasted the pastoral nature of baseball with the warlike sport of football. To quote one segment among many, “In football the object is for the quarterback, also known as the field
The term "crowd pleasing" or "crowd pleaser" has found itself layered with some derogatory undertones among critic circles. Broad appeal seems immediately discounted, as if populist filmmaking is somehow lesser than when compared to auteurs and hidden indie gems. I've always maintained that there