James Wan is one of the most influential horror filmmakers of our era. He created an iconic horror franchise with Saw, merely his second feature film, complete with a new horror legend in the antagonist Jigsaw. Six years later he launched one supernatural horror franchise in Insidious, whose films
I’ll say this for Malignant: once it starts, it doesn’t let up. The trailer might lead you to believe this is simply a twist on a haunted house film, whereby the lead Madison (Annabelle Wallis) ends up being the real “source” of the haunting all along. You expect a slower-paced horror,
Sasaki and Peeps gives us plots galore being brewed up, as you might expect from Ep. 15 "Concealment and Infiltration" with that title. Complete with both the faking of a death and an undercover operation to investigate the death game faction. It's all great ingredients for some serious political
Sasaki and Peeps brings us one big magical SNAFU in Ep. 14 "Death Games and Demons", complete with a bloody fight and civilian deaths. As you might imagine, this is as huge a problem as the title suggests. And yet, it still falls short of a true action-packed episode due to the lack of action
Who could've guessed that a film about a stinky fisherwoman and a wicker husband would end up being one of the most romantic movies of the year? For all its vulgarity and absurdity, Wicker weaves a surprisingly sincere, shockingly sweet fable of against-all-odds love and a dismantling critique of
