If you don't like Dutch angles, don't watch A Haunting In Venice. Kenneth Branagh, the man known for his proclivity for that specific, audience-anxiety-inducing camera angle, is back for his third Hercule Poirot film. This time, it's based on the Agatha Christie novel Hallowe'en Party. It's a
Jordan Firstman's Club Kid was the talk of the town at this year's TIFF. As well as Telluride. And Cannes. Whatever film festival this film goes to, it invites the kind of enthusiasm that can shake mountains. Going in, I was nervous that Club Kid wouldn't live up to the lofty expectations I had set
Your Mother Your Mother Your Mother is a grounded, pulse pounding gut-punch of a film. A wholly unique experience that proves that you can still iterate on conventions and present them with a sense of newness.
What happens when you make a movie that's about four years too late on its subject matter? You get The Social Reckoning. At this point in our lives, we all know that social media is a cesspool and that a lot of that is Facebook/Meta's fault. They chose to act like the silent arbiter and actively
