One thing is very, very clear: This is not going anywhere. The internet has let it be known that they do not enjoy this. But unlike this fiasco, the WWE Wild Card Rule is going to be around for a while. So here is a really simple way to make it feel less random, but still keep the true nature of
Lars Sullivan has a very high goal for himself. With Sullivan being part of the NXT call-ups back in December of last year, he finally has be designated to a brand. We correctly predicted that Lars would end up on Smackdown LIVE. With Sullivan as a part of the Blue Brand of the WWE, he has now set
This is bad. Very bad. I would hope that WWE would realize their mistake, and give us the War Raiders back. I have a feeling, however, that Erik and Ivar are here to stay. Now, let's keep our fingers crossed that tonight on Smackdown Live we don't see Velveteen Dream debut as Purple Fantasy.
According to this article over at WrestleTalk.com, we have a better idea of what the rest of the 2019 schedule will look like for All Elite Wrestling: May 25 - Double Or Nothing in Las VegasJune - Unspecified Show (believed to be in USA)July - Unnamed show in Jacksonville, FloridaAugust - Royal
Sasaki and Peeps gives us plots galore being brewed up, as you might expect from Ep. 15 "Concealment and Infiltration" with that title. Complete with both the faking of a death and an undercover operation to investigate the death game faction. It's all great ingredients for some serious political
Sasaki and Peeps brings us one big magical SNAFU in Ep. 14 "Death Games and Demons", complete with a bloody fight and civilian deaths. As you might imagine, this is as huge a problem as the title suggests. And yet, it still falls short of a true action-packed episode due to the lack of action
Who could've guessed that a film about a stinky fisherwoman and a wicker husband would end up being one of the most romantic movies of the year? For all its vulgarity and absurdity, Wicker weaves a surprisingly sincere, shockingly sweet fable of against-all-odds love and a dismantling critique of
