As the saying goes, you can’t con a con. This week we delve into the world of deceit in a fully linear episode of The Stand. We spend time with the spies in both New Vegas and Boulder, and we examine the reach of Flagg’s power. As the first episode without a time hop, the show is much more
This week from BOOM! Studios we get Origins 3, the halfway point of the story. From top to bottom, this issue seems to embody the question 'Who am I?' From David to the new bots the question of identity plays out. We get a few interesting flashbacks into David's past that show us his mindset for
The third season or part of Disenchantment has debuted on Netflix with a lackluster 3rd outing. I'm not saying this season is outright bad but to paraphrase Monty Python: "It got turned into a newt and didn't get better" Each episode has its standard sight gags and one-liners but for me, this third
WandaVision is one hell of a gamble for Disney and Marvel. Not only is it the first post-2020 look that we have at anything Marvel, but it's the first of many streaming series for Disney+. If this one fails, it's going to be a lot harder for them to draw attention to the rest of the shows. In a
Is Anthony Mackie the new Terminator?! Close! But no cigar.(See what I did there? Because Schwarzenegger smokes cigars…)Netflix’s latest offering Outside the Wire drops us into the middle of a summer action movie, perhaps to warm up the dead of winter and whatever the hell else we’re calling
I'll get right to the chase with The Heretiks. The film does not screw around in the slightest. It might look and feel like a Disney Channel Original movie, but it adds in some serious gore, witchy vibes, and some interesting rules for said witchcraft. Kids get stabbed, fingers get broken, faces
Onimusha: Way of the Sword is a franchise revival that feels like it understands what made the original games so much fun. The gameplay is fast, frantic, and often delightfully violent, while the game throws a surprisingly large number of systems and mechanics at you. Thankfully, most of them feel
A common theme through many of the films at TIFF - especially the historical ones - feature women who lament being girls. Whether it’s The Julia Set (2026), Magazine (2026) or even La Bola Negra (2026), it’s hard being a girl, but also beautiful and Priscilla captures that irony with compassion