Anyone who stands confidently and announces that they’re remaking a classic film could be considered a fool. If that same claim expanded to include a stage transfer of an absurdist Stanley Kubrick masterpiece, like National Theatre Live: Dr. Strangelove, this supposed fool could seem crazier. Yet
Oasis: Don’t Look Back in Anger feels like a movie that’s selling itself as something deeper than it ultimately is. There’s an expectation that we’re going to get this grand story about the Gallagher brothers reconciling, putting aside their differences, and coming back together for these
There will be many moments during Paul Greengrass's new film The Uprising that create chilling parallels to recent historical events. His exploration of the 1381 peasants revolt in Medieval England is rooted as much in historical fact as it is relevant to the present day. Some of this is clearly by
“By Any Means” treads familiar ground, but Mark Wahlberg shines as real life Hitman-turned-Fed informer Gregory Scarpa, and behind the tropes and cinematic conventions is the kernel of a true story that has relevance to this day. Mark Wahlberg is distracting (mostly in a good way) throughout
