As of today, we’re just three months out from discovering the truth of Disclosure Day. This new UFO conspiracy thriller is naturally playing its cards close to the vest, but isn’t afraid to tease the audience with cryptic clues for what's ahead. I can’t think of a better movie to keep forming
The Super Bowl is a perfect place to drop something like Disclosure Day’s Big Game spot. Besides spelling that out right in the name, debuting a tease for a summer blockbuster during this epic sporting event has always been a powerful part of the playbook. Filmmakers like Steven Spielberg made
As we saw with the response to the Disclosure Day trailer, it’s been a while since we’ve anything this mysterious has come around. Director Steven Spielberg’s upcoming project, focusing on the potential revelation of intelligent life outside of Earth, has kicked off its marketing campaign in
[et_pb_section admin_label="section"] [et_pb_row admin_label="row"] [et_pb_column type="4_4"][et_pb_text admin_label="Text"] Movie fans would probably agree that it's hard to be surprised by film marketing. You could probably count on your hands how many times the 2025 fall movies gave away way too
Lost in the Reel's video review for Empire of Light When Sam Mendes' new film Empire of Light was announced, it shot to the top of every critic's list of Most Likely Oscar Contenders. It's the follow-up to his much-loved World War 1 epic 1917. It's a film about the magic of
For a film called All Of A Sudden, very little happens suddenly in Hamaguchi Ryusuke’s sensitive portrayal of friendship and care. The director (Drive My Car) has a particularly patient style of filmmaking that is not universally appealing, but it captures humanity in all its messy earnestness.
Joe Bob Briggs and Darcy the Mail Girl returned for The Last Drive-In: Joe Bob's Halloween House Party, delivering a double feature built around two very different approaches to Halloween horror. This time, the legendary horror host paired Body Bags (1993) with WNUF Halloween Special (2013),
Paweł Pawlikowski’s new film is a dense exploration of a very specific part of Thomas Mann’s life and Germany’s history. Winning Best Picture at Cannes and chosen as Poland’s submission for Best International Film, the film expects a certain level of historical and geographic knowledge
