The fact that Daniel Craig’s final James Bond movie was called No Time to Die becomes increasingly ironic, thanks to the long and winding road the next 007 film has taken. 2025 has been a huge year for developments though, with Denis Villeneuve hired as Bond 26’s director and Peaky Blinders
It was earthshaking news when Amazon MGM Studios announced that Denis Villeneuve was directing the next James Bond film. Now, the studio has found a writer to complement his vision. Amazon MGM Studios announced earlier today that Steven Knight was writing the film.
Denis Villeneuve has become one of the most famous directors of recent times. Mostly for his amazing work directing Dune and Dune: Part Two, which have become the most wildly popular adaptations of Frank Herbert's novels in history. This is on top of his other sci-fi success stories like Arrival
The casting for Dune: Messiah has already begun with a heavyweight actor already lined up for the villain role. Deadline reported that Robert Pattinson was being eyed for a role in the third Dune film, and then THR reported that Pattinson was up for the role of Scytale from Frank Herbert's books.
There's numerous reasons why fans have been long awaiting Dune: Part Two. Not least of which is because it's the direct sequel to 2021's Dune. Amazingly, director Denis Villeneuve has managed to make Frank Herbert's very first Dune novel all the way from 1965 into a mainstream sensation. Thus, it
Haven’t watched Dune: Part Two yet? Or just want another chance to see it on the big screen? We have good news for you: the film plans to extend its run in IMAX theaters. Starting April 19, Dune: Part Two will extend its IMAX release in 20 top markets in North America. The extended run will also
Daemons of the Shadow Realm gives us some truly fateful meetings between old friends (and family) and new in Ep. 14 "Family and Friends". All complete with some dark secrets spilling forth out of the shadows, and Yuru's bond with his old friends and family being tested quite a bit. All in all, I
Cinema history is riddled with both coming-of-age tales and biopics aplenty. Tony, the new feature by Matt Johnson (BlackBerry, Nirvanna the Band the Show the Movie), lies at the intersection of these well-worn traditions. Based on Anthony Bourdain’s chronicles of his early journey into the
Indulging every absurd idea that pops into his head, the film unfolds with propulsive vibrance and unshackled execution. That approach turns out to be a bit of a gift and a curse for Riley; a gift in the sense that we get something fresh and original, but a curse because its unbridled approach
