This week from DC Comics we get the further exploits of the broke Bruce Wayne vs tycoon Mr. Worth. Detective Comics 1041 picks up not only where issue 1040 let off, but also Batman Secret Files 1 - Huntress left off. If you did not read the Huntress one shot, I highly suggest you do. Its ending
Detective Comics shifts gears once more and brings in an antihero that has not shown up much in the newer Rebirth titles of DC - The Spectre! This is a character seldom used, so its nice to see his inclusion. The why and where remains unknown as yet, but that is the fun of a new story arc to
In the last issue we learned that the new Gotham Knight that terrorized Batman these past issues is none other than Astrid Arkham, daughter of Dr. Arkham. In Detective Comics 1004 we step back in time to see how Astrid grew into this Dark Knight parallel. The two covers for this issue are cool. The
Well, here at last, dear friends, on the pages of DC #1000, our journey comes to an end. At long last we have reached our milestone, and I have to say this issue proves only one thing - beware preconceived notions. I honestly have no idea what to say here for one simple reason. If i were to comment
These issues are getting better and better. This one is outstanding! From the art, to the story, to the creature (yeah we will come back to this part). There is no part of this issue that does not deliver. Starting with the covers, the A cover for once is not only well done, but ties directly into
This is a first for Marvel Studios and their Marvel Television branch for their Special Presentations. We've had others like Werewolf By Night that introduced a new character, but not one for an already established character like The Punisher. The Punisher: One Last Kill comes off the heels of his
We've had haunted house movies. Sure, but have we had a haunted van movie? That's what Passenger amounts to at its most distilled form. This is a horror movie about a demonic force (the opposite of Saint Christopher) that has been chasing and killing travelers for hundreds of years. Basically, the
Sometimes the best way to access the core of a film is to let it take you over completely. Locked behind metaphorical dialogue and an obtuse artistry, the key to the door is simply letting it all in and fester inside until the understanding comes to light. You can't second-screen a film like this,