David Goyer is no stranger to DC Comics and their movies. He wrote The Dark Knight and Batman V. Superman: Dawn of Justice, in addition to plenty of other shows and movies like Foundation. He's on the press tour for Foundation right now, and our friend Brandon Davis of Phase Hero sat down with him.
David S. Goyer is an accomplished screenwriter behind some of the biggest and best movies and shows of the past 25 years. One of his screenwriting credits is The Dark Knight. No matter who you ask, that film is among the best superhero films of all time and one of the highest-rated movies ever.
Apple TV+'s Foundation is already a gigantic science fiction epic. The third season of the series just recently came out this Summer and now creator/writer David Goyer is out talking about it. Our friend Brandon Davis of Phase Hero sat down with Goyer and gave us an exclusive preview of their
Foundation has been a surprisingly ambitious show for Apple TV+. Honestly, it's no surprise there. After all, it is Apple's attempt to turn the novels of the same name by Isaac Asimov into a live-action TV show. And yet, by all account, it has been a wildly successful venture. Already, there are
Lost in the Reel's Non-Spoiler Video Review of Foundation.Foundation is based off of Isaac Asimov’s classic 7-book science-fiction series, which began all the way back in 1942. I’d like to say that I have never read Asimov’s novels, but have always been curious about
Joe Bob Briggs and Darcy the Mail Girl returned for The Last Drive-In: Joe Bob's Halloween House Party, delivering a double feature built around two very different approaches to Halloween horror. This time, the legendary horror host paired Body Bags (1993) with WNUF Halloween Special (2013),
George Carlin told perhaps the greatest joke on football ever told in his 10/11/1975 SNL monologue, where he contrasted the pastoral nature of baseball with the warlike sport of football. To quote one segment among many, “In football the object is for the quarterback, also known as the field
The term "crowd pleasing" or "crowd pleaser" has found itself layered with some derogatory undertones among critic circles. Broad appeal seems immediately discounted, as if populist filmmaking is somehow lesser than when compared to auteurs and hidden indie gems. I've always maintained that there
