While this weekend's The Running Man isn't exactly a remake of the 1987 Arnold Schwarzenegger movie of the same name, most moviegoers will head into it thinking it is. The film is a more faithful adaptation of the 1982 Stephen King novel and is certainly its own beast compared to the more
When Freaky Friday was released in 2003, it marked Disney's third attempt at bringing Mary Rodgers's 1972 book to life. More than two decades later, it's safe to say that the version starring Lindsay Lohan and Jamie Lee Curtis has become the definitive adaptation. When it was announced that Lohan
Over two decades later, Lindsay Lohan and Jamie Lee Curtis are back and bodyswapping. (Just not with each other this time.) Disney released the official trailer for Freakier Friday today. The sequel to the much-loved 2003 flick sees Curtis and Lohan reprise their roles as Tess and Anna Coleman.
Freakier Friday finally released a trailer and the vibes are great! Yesterday, Disney teased the release of a new clip and now we get to see what the Freaky Friday sequel looks like. Freakier Friday reunites Jamie Lee Curtis and Lindsay Lohan for another identity crisis. Everyone is a little older
Disney teased a release date for Freaky Friday 2’s trailer! On social media, the studio posted a clip with the words “Things are about to get FREAKIER…” Disney also has a background on the thumbnail with the classic Freaky Friday purple and lime background. Encouraging people to “make
The ultimate sequel is headed our way. Disney’s ready for a new Freaky Friday film, and production just officially kicked off. The 2003 comedy starred Jamie Lee Curtis and Lindsay Lohan as a mother and daughter who wake up one morning only to find they’ve swapped bodies. We previously learned
Daemons of the Shadow Realm gives us some truly fateful meetings between old friends (and family) and new in Ep. 14 "Family and Friends". All complete with some dark secrets spilling forth out of the shadows, and Yuru's bond with his old friends and family being tested quite a bit. All in all, I
Cinema history is riddled with both coming-of-age tales and biopics aplenty. Tony, the new feature by Matt Johnson (BlackBerry, Nirvanna the Band the Show the Movie), lies at the intersection of these well-worn traditions. Based on Anthony Bourdain’s chronicles of his early journey into the
Indulging every absurd idea that pops into his head, the film unfolds with propulsive vibrance and unshackled execution. That approach turns out to be a bit of a gift and a curse for Riley; a gift in the sense that we get something fresh and original, but a curse because its unbridled approach
