If you love heavy metal and horror movies like I do, you're in for a treat with the latest single from Ice Nine Kills. Well, it's actually from the band Grave Diggler, which is made up of the fictional fathers of all the members of Ice Nine Kills. Not since Ghost, have we had an origin story for an
With a little over a week until the final installment of the iconic Scream franchise, Scream 7, hits theaters, fans are eagerly waiting. After a few days of teasers, the video for Ice Nine Kills's tie-in song, "Twisting the Knife," was released this afternoon. You can listen and watch here, and it
A collaboration to cheers to! Macabre Spirits and gold-selling horror metal band Ice Nine Kills have announced a whiskey collaboration. "Horrorwood Reserve" is said to appease fans of whiskey, horror, and music. ABOUT HORRORWOOD RESERVE Horrorwood Reserve is more than just your typical whiskey.
The Silver Scream Con is heading to the UK. Ice Nine Kills is bringing the convention across the pond after four successful years in the US. Taking place at London’s Cumberland Hotel in Marble Arch on December 13th and 14th, the two day event follows ICE NINE KILLS first ever UK Arena headline
Sasaki and Peeps gives us plots galore being brewed up, as you might expect from Ep. 15 "Concealment and Infiltration" with that title. Complete with both the faking of a death and an undercover operation to investigate the death game faction. It's all great ingredients for some serious political
Sasaki and Peeps brings us one big magical SNAFU in Ep. 14 "Death Games and Demons", complete with a bloody fight and civilian deaths. As you might imagine, this is as huge a problem as the title suggests. And yet, it still falls short of a true action-packed episode due to the lack of action
Who could've guessed that a film about a stinky fisherwoman and a wicker husband would end up being one of the most romantic movies of the year? For all its vulgarity and absurdity, Wicker weaves a surprisingly sincere, shockingly sweet fable of against-all-odds love and a dismantling critique of
