Kathleen Kennedy has officially stepped down as the head of Lucasfilm, and giving the reins to Dave Filoni and Lynwen Brennan. But a new interview with Deadline is shining light on several Star Wars projects that are in the balance. They have The Mandalorian and Grogu and Star Wars: Starfighter on
Kathleen Kennedy, the woman behind much of what we know as modern Lucasfilm, is stepping down after 14 years at the helm of the company. She will be replaced by Dave Filoni and Lynwen Brennan. They will both lead the company behind Indiana Jones and Star Wars. Filoni comes from the filmmaking
Lucasfilm president Kathleen Kennedy says that James Mangold’s Star Wars movie is still happening. Fans had been wondering what the Logan director has been up to with the previously announced project. Kennedy told Deadline that Mangold’s film is still coming. He’s had his fans full with A
After 13 years at Lucasfilm, Kathleen Kennedy is expected to retire by the end of the year. The Puck (via THR) has reported that Kennedy has told Disney, friends, and associates. Representatives for Kennedy and Lucasfilm have not commented on the matter. The announcement comes just as Star Wars
Well it seems like we have had a little while since there was something in the news to get STAR WARS fans worked up in a frenzy. Well today that just may have changed with a report from EPIC STREAM. According to them from a recent podcast, Kathleen Kennedy could be stepping down as President of
It was just three years ago that the world was introduced to the magical world of The Super Mario Bros. Movie. That film was a runaway success at the box office and was surprisingly great, considering some of the gripes coming into it. Now, we're getting a sequel that is adapting one of the most
There's a growing trend in cinema right now, and that is the trend of movies being fun again. Just a good old-fashioned time at the theater (or home since streaming accounts for most viewership these days) filled with laughs and action and heart that remind you why you go to escape in the first
Sometimes the best way to access the core of a film is to let it take you over completely. Locked behind metaphorical dialogue and an obtuse artistry, the key to the door is simply letting it all in and fester inside until the understanding comes to light. You can't second-screen a film like this,