This weekend sees the release of the black comedy thriller, How to Make a Killing, starring Glen Powell alongside a pretty solid ensemble cast, but you'd be forgiven if you had no idea about it. The film is being released by A24, an indie studio that caters to smaller films but can throw weight
You can easily tell we're in an era of runaway inequality, in large part due to how frequently dark-but-humorous tales pop up about casually decimating the rich. The Oscar-winning 2019 phenom Parasite sees the Kim family scam their way into the lives of the wealthy Parks, keenly critical of the
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Honey Don’t sets out to channel the moody mystique of classic detective noir, but this 2025 release struggles to live up to the genre it’s trying to honor. Instead of delivering a sharp, stylish mystery, the film collapses under the weight of its messy narrative, leaving audiences with a muddled
Let’s get one thing clear: I am a pretty squeamish person. Because of that, body horror is not really my genre. (I’m more of a psychological horror kind of gal.) So needless to say, Coralie Fargeat’s The Substance proved a challenging watch for me. But I’ve never been happier to gasp,
What would you do to bring out the best version of yourself? In The Substance, one former Hollywood A-lister goes to extremes to recapture her youth and relive her prime. Check out the trailer for the film below: Here’s the official synopsis for the film: Demi Moore gives a career best performance
If you haven’t seen Drive-Away Dolls yet, you’re in for the most shocking “what’s in the box?” reveal since Se7en. (And if you have seen Drive-Away Dolls, you know exactly what I’m talking about.) Either way, you can check out this road trip crime comedy caper from home soon.
For a film called All Of A Sudden, very little happens suddenly in Hamaguchi Ryusuke’s sensitive portrayal of friendship and care. The director (Drive My Car) has a particularly patient style of filmmaking that is not universally appealing, but it captures humanity in all its messy earnestness.
Joe Bob Briggs and Darcy the Mail Girl returned for The Last Drive-In: Joe Bob's Halloween House Party, delivering a double feature built around two very different approaches to Halloween horror. This time, the legendary horror host paired Body Bags (1993) with WNUF Halloween Special (2013),
Paweł Pawlikowski’s new film is a dense exploration of a very specific part of Thomas Mann’s life and Germany’s history. Winning Best Picture at Cannes and chosen as Poland’s submission for Best International Film, the film expects a certain level of historical and geographic knowledge
