Hamlet tales are a dime a dozen. Hell, At TIFF 2025 there were at least 3 inspired or adapted movies screening at the festival. There's no shortage of the melancholic prince spouting off famed monologues and plotting to avenge his father. With this many versions of the same tale occurring so often,
Video game adaptions have always proved challenging in cinema. The transfer of playability to watchability has far more failures than successes, and that's not even including the long list of ill advised Uwe Bol films. You would think that videos games, packed with complex protagonists, intriguing
There was a time when the stoner comedy was a reliable genre, particularly among the coveted demographic of young men. I remember those late nights in the college dorm quite fondly. Up late working on a paper last minute, ready for the weekend, and a friend suggests ordering a pizza and popping in
There's a growing trend in cinema right now, and that is the trend of movies being fun again. Just a good old-fashioned time at the theater (or home since streaming accounts for most viewership these days) filled with laughs and action and heart that remind you why you go to escape in the first
!["Poetic License" Laugh Out Loud Coming of Age Buddy Comedy [SXSW Review]](https://thathollywoodshow.com/wp-content/uploads/2026/03/Poetic-License-Still-Image-660x357.webp "Poetic License – Still Image")
There seems to be something in the water over at the Apatow house. The irreverent comedy is alive and well, the mantle carried by Maude Apatow in her directorial debut with Poetic License. Everything you love about buddy comedies, foul-mouthed protagonists, and aimless man-child antics are all
There's no sense in burying the lede here. Obsession is about as good as horror gets, making an absolute meal out of its simple premise and delivering just about everything you could want from a genre film. It's smart, sometimes funny, always entertaining and often downright terrifying. Its expert
It's always a risk when you ask a performer to shoulder a film and carry it over the finish line. Sometimes it works, the star's sheer charisma is enough to override the glaring flaws. But often times, no matter how bright that star shines it can't outshine the weaknesses. Thus is the case with
I am such a sucker for films that make their setting a character. The kind where the city itself is so integral to the story it can't be made anywhere else. I also love a good 70s crime thriller, character-driven narratives packed with equal heart and thrills. Enter The Only Living Pickpocket in
We're in the era of liminal spaces, folks. Movies like Skinamarink, Backrooms, and Exit 8 have all proven that audiences, especially younger audiences, can't get enough of them. it Ends brings us really two liminal spaces in one movie. The film tells the story of four friends who are getting
What happens when you combine the powers of the director (Jean-François Richet) behind the absolutely smashing Plane and Jason Statham wrecking human traffickers left and right? You get Mutiny. Now the movie isn't just called Boat or Ship, and it really isn't part of the "Jason Statham Has A Job
Jaadugar: A Witch in Mongolia delves deep into the backstory of Töregene and why she hates the Mongols in Ep. 6 "The Mergen People". Honestly, after seeing all of that, you can easily see why Sitara / Fatima empathizes with her so much. Their respective backstories have similar beats, and each
