Joe Bob Briggs and Darcy the Mail Girl returned for The Last Drive-In: Joe Bob's Halloween House Party, delivering a double feature built around two very different approaches to Halloween horror. This time, the legendary horror host paired Body Bags (1993) with WNUF Halloween Special (2013),
Joe Bob Briggs and Darcy the Mail Girl returned for The Last Drive-In: Joe Bob's Savage Summer with one of the most extreme double features the series has ever programmed. They paired I Spit on Your Grave (1978) with Tokyo Gore Police (2008). On paper, this should have been a celebration of
Joe Bob Briggs and Darcy the Mail Girl returned for one of their four final specials for The Last Drive-In with a creature feature meets modern horror pairing, bringing together Rawhead Rex (1986) and Oddity (2024). It is a bizarre double feature on paper, and somehow even stranger in execution.
Joe Bob Briggs and Darcy the Mail Girl leaned into classic spooky season comfort with a Haunted House themed episode of The Last Drive In, pairing House on Haunted Hill (1959) with The Innkeepers (2011). On paper, this is a smart double feature. One is a horror relic built on gimmicks and
Joe Bob Briggs and Darcy the Mail Girl returned to The Last Drive-In with a loosely themed night of “Don’t” movies, pairing Don’t Torture a Duckling (1972) with Don’t Go Into the Woods (1981). On paper, it is a fun hook. In practice, it made for an uneven episode that leaned heavily on
Joe Bob Briggs and Darcy the Mail Girl returned to The Last Drive-In this weekend with a double feature that paired a modern slasher hit with a cult Halloween dud. The night kicked off with Eli Craig’s Clown in a Cornfield (2024), followed by the infamous low-budget mess Jack-O (1995). Fans were
The Apothecary Diaries thickens up the plot with some serious family and political drama in Ep. 51 "Let Them Eat Cake". Students of history will readily recognize that title as the most infamously apocryphal line Marie Antoinette spoke just before the French Revolution came calling, indicating her
Netflix's animated adaptation of AJ Dungo's graphic novel is a gorgeous and deeply moving love story that reminds us that grief never truly disappears, but neither does the love we carry for those we've lost. Last night, I had the opportunity to watch Netflix's new animated film In Waves, directed