Oftentimes, the best comic book movies operate as more than excuses for eye-popping CGI and action-packed extravaganzas. It's in those films that they transcend the cliches of the genre and speak to human experiences and emotional depth. This is why Peter Parker and Spider-Man have resonated with
Babylon is Academy Award winning director Damien Chazelle's wild love letter to the industry he calls home. In a way, Chazelle is pulling back the cloche on Hollywood. While the film tells two different, yet similar, stories of the rise and fall of Hollywood stars during the transition from silent
Indulging every absurd idea that pops into his head, the film unfolds with propulsive vibrance and unshackled execution. That approach turns out to be a bit of a gift and a curse for Riley; a gift in the sense that we get something fresh and original, but a curse because its unbridled approach
Though marital arts action cinema is vast and varied, it is rare for one to elevate the genre and push it forward. There have been few recently - The Raid comes to mind, and while not technically "martial arts" I'd argue John Wick counts - that feel as if something new and special is happening.
This is a first for Marvel Studios and their Marvel Television branch for their Special Presentations. We've had others like Werewolf By Night that introduced a new character, but not one for an already established character like The Punisher. The Punisher: One Last Kill comes off the heels of his
