The Holidays are coming to Universal Orlando Resort and Universal City Walk. This week, the resorts announced their special festivities for all the winter holidays. Starting November 21, guests can look forward to special experiences and dining options at a variety of the locations in Florida and
Hello Kitty is turning 50 years old this year and Universal CityWalk is celebrating by unwrapping a selection of new menu items at the Hello Kitty and Friends Cafe and new merchandise at the Sanrio Smile Shop. This all kicks off on November 1st, Hello Kitty Day! The limited 50th Anniversary items
Immerse yourself in the Land of Oz like never before when Wicked takes over Universal Studios this fall! Universal Studios Hollywood and Universal Orlando Resort will host immersive experiences with exclusive merch leading up to the release of the long-anticipated movie musical. The experiences at
Roll out the pink carpet - Hello Kitty is headed for Universal. The Hello Kitty and Friends Cafe and the Sanrio Smile Shop will officially open at Universal CityWalk this Friday, September 6. Guests strolling the CityWalk will easily spot the bow and pastel pink and white awning marking the new
Sasaki and Peeps gives us plots galore being brewed up, as you might expect from Ep. 15 "Concealment and Infiltration" with that title. Complete with both the faking of a death and an undercover operation to investigate the death game faction. It's all great ingredients for some serious political
Sasaki and Peeps brings us one big magical SNAFU in Ep. 14 "Death Games and Demons", complete with a bloody fight and civilian deaths. As you might imagine, this is as huge a problem as the title suggests. And yet, it still falls short of a true action-packed episode due to the lack of action
Who could've guessed that a film about a stinky fisherwoman and a wicker husband would end up being one of the most romantic movies of the year? For all its vulgarity and absurdity, Wicker weaves a surprisingly sincere, shockingly sweet fable of against-all-odds love and a dismantling critique of