The cover of Superman #14 shows a beaten and chained Rogol Zaar at the bottom of the page as a triumphant Superman, Zod, Supergirl, Superboy, and Krypto look down at him. The writing reads “The final fate of the monster who killed Krypton.” Over at DC’s own website, the description of this
Ok, so Bendis isn’t hitting home runs with Superman, but by adding Batman into the mix, Joshua Williamson has cooked up a really solid Super-Team-Up. Let’s break this down. What am I talking about? Batman/Superman #1Written by Joshua WilliamsonArt by David MarquezCover by David Marquez, Variant
We're in the era of liminal spaces, folks. Movies like Skinamarink, Backrooms, and Exit 8 have all proven that audiences, especially younger audiences, can't get enough of them. it Ends brings us really two liminal spaces in one movie. The film tells the story of four friends who are getting
What happens when you combine the powers of the director (Jean-François Richet) behind the absolutely smashing Plane and Jason Statham wrecking human traffickers left and right? You get Mutiny. Now the movie isn't just called Boat or Ship, and it really isn't part of the "Jason Statham Has A Job
Jaadugar: A Witch in Mongolia delves deep into the backstory of Töregene and why she hates the Mongols in Ep. 6 "The Mergen People". Honestly, after seeing all of that, you can easily see why Sitara / Fatima empathizes with her so much. Their respective backstories have similar beats, and each
