Amazon Prime kicked off Welcome to Blumhouse earlier this month, releasing four films in a horror anthology. Now, BlumFest debuted details about the next set of features. The upcoming films include The Manor, Black as Night, Madres, and Bingo. The movies will debut on Amazon Prime in 2021.
At the BlumFest 2020 event, Blumhouse dropped a new teaser trailer for Halloween Kills. The upcoming film in the new revival of Halloween is due out October 15th, 2021. It was supposed to release this year, but of course, the pandemic had other ideas. So for now, we just have to enjoy this teaser
Insidious star Patrick Wilson will direct the upcoming fifth installment of the franchise. The news dropped during BlumFest today. The first inaugural virtual event from Blumhouse Productions will debut news about their latest projects throughout the day. Insidious 5 will serve as Wilson’s
So when you think of Halloween, a couple things come up. Horror, pumpkins, monsters, ghouls, ghosts, and of course, anthology style television. So in comes Shudder to combine a good portion of that list into one animated special. If you aren't familiar with Shudder, and you're a horror fan, you
Finally Rangers, we can talk about Sins of the Future. The new graphic novel from those geniuses at BOOM Studios! This is going to be a spoiler-free review. But trust me I swear on my Morpher that this NEEDS to be on your shelf! With Jen and Wes trying to make their more than long-distance
This is a first for Marvel Studios and their Marvel Television branch for their Special Presentations. We've had others like Werewolf By Night that introduced a new character, but not one for an already established character like The Punisher. The Punisher: One Last Kill comes off the heels of his
We've had haunted house movies. Sure, but have we had a haunted van movie? That's what Passenger amounts to at its most distilled form. This is a horror movie about a demonic force (the opposite of Saint Christopher) that has been chasing and killing travelers for hundreds of years. Basically, the
Sometimes the best way to access the core of a film is to let it take you over completely. Locked behind metaphorical dialogue and an obtuse artistry, the key to the door is simply letting it all in and fester inside until the understanding comes to light. You can't second-screen a film like this,