Quentin Tarantino is one of the most famous and well-revered filmmakers of our time. His filmography is debated, ranked, and in general, discussed alongside the greats of the medium. Now, thanks to Lionsgate Home Entertainment, we're getting three brand-new SteelBooks of his films on 4K and one
Iron Maiden took to their social media accounts heading from 2024 into 2025 with a message from Bruce Dickinson. In the video, he said goodbye to 2024 and The Future Past World Tour and says hello to 2025 and their upcoming Run For Your Lives World Tour. Check it out below. Here's what he said in
Shadyside is about to get even scarier. Well, at least according to R.L. Stine. Netflix is producing at least three more Fear Street movies. The master of middle-grade horror is on the press tour for Disney+'s Goosebumps: The Vanishing, which premieres on January 10th, 2025. Here's what he had to
The Inheritance was a surprisingly great horror movie release in the middle of 2024, which was an excellent year of horror movies. Now. the movie is finally getting its due on Hulu, taking the third spot on their top 10 and holding into the top 15 this week. The Inheritance comes from Director
Sasaki and Peeps gives us plots galore being brewed up, as you might expect from Ep. 15 "Concealment and Infiltration" with that title. Complete with both the faking of a death and an undercover operation to investigate the death game faction. It's all great ingredients for some serious political
Sasaki and Peeps brings us one big magical SNAFU in Ep. 14 "Death Games and Demons", complete with a bloody fight and civilian deaths. As you might imagine, this is as huge a problem as the title suggests. And yet, it still falls short of a true action-packed episode due to the lack of action
Who could've guessed that a film about a stinky fisherwoman and a wicker husband would end up being one of the most romantic movies of the year? For all its vulgarity and absurdity, Wicker weaves a surprisingly sincere, shockingly sweet fable of against-all-odds love and a dismantling critique of
