When Regretting You opened a little over four weeks ago, the film was expected to debut on the low end of tracking and contribute to October's rather dismal box office run. The month was littered with fare that underperformed, and the result was October registering the lowest domestic turnout in 27
"M3GAN" was a 2022 surprise horror hit from Blumhouse. Now the A-I nightmare is back for "M3GAN 2.0", scheduled to be released on June 27, 2025. At this year's BlumFest panel at New York Comic Con we learned that filming on the horror film has recently wrapped up and that this next film will be
Lost in the Reel's video review for Fellow Travelers "Fellow Travelers" first caught my eye when I saw a quick teaser months ago. I immediately looked it up and saw that Lord Anthony Bridgerton himself was finally getting another starring role outside of the hit Netflix show. And then when I
What happens when you take some biting commentary on the state of children's toys, AI, and how we interact with technology and cross that with a horror movie? Well, it turns out that when you add those things together and some great performances from the three leads, you get M3GAN. M3GAN is the
Sasaki and Peeps gives us plots galore being brewed up, as you might expect from Ep. 15 "Concealment and Infiltration" with that title. Complete with both the faking of a death and an undercover operation to investigate the death game faction. It's all great ingredients for some serious political
Sasaki and Peeps brings us one big magical SNAFU in Ep. 14 "Death Games and Demons", complete with a bloody fight and civilian deaths. As you might imagine, this is as huge a problem as the title suggests. And yet, it still falls short of a true action-packed episode due to the lack of action
Who could've guessed that a film about a stinky fisherwoman and a wicker husband would end up being one of the most romantic movies of the year? For all its vulgarity and absurdity, Wicker weaves a surprisingly sincere, shockingly sweet fable of against-all-odds love and a dismantling critique of
