In television, hospital shows are a dime a dozen. The rise of The Pitt, the unstoppable longevity of Grey's Anatomy, and a number other hospital-centric shows reveal no shortage of fascination with medicine and trauma. It's often rare in cinema unless its haunted wards or part of a protagonist's
Michel Franco has always been a controversial writer/director. The kind of filmmaker who invites conflict while insisting on tackling complex themes of sex, class, and social systems. Franco has always presented his works with a sort of distant approach, and Dreams is no different. A cold, distant,
For a film festival seemingly set on remaining apolitical - from the programmers to the directors to the celebrities - it's kind of ironic that both of the Berlin Film Festival's winners were politically supercharged. The Golden Bear - the festival's most prestigious award went to Yellow Letters,
The Apothecary Diaries thickens up the plot with some serious family and political drama in Ep. 51 "Let Them Eat Cake". Students of history will readily recognize that title as the most infamously apocryphal line Marie Antoinette spoke just before the French Revolution came calling, indicating her
"Universal Monsters: The Bride of Frankenstein Lives #1" is an intriguing start to the four-part story of the classic monster's origin.
Netflix's animated adaptation of AJ Dungo's graphic novel is a gorgeous and deeply moving love story that reminds us that grief never truly disappears, but neither does the love we carry for those we've lost. Last night, I had the opportunity to watch Netflix's new animated film In Waves, directed
