It Was Just An Accident reinvents the revenge thriller as a layered character study about forgiving the people who committed the worst crimes possible. A car breaking down in Iran creates a domino effect that leads to one of the year’s most surprising crowd-pleasers. The film opens with a man
Jim Jarmusch is not a writer/director known for creating action-packed films, but he reaches a new level of idiosyncrasy with Father Mother Sister Brother. The anthology follows three families on different journeys and stages of their lives. The three stories feel too separate and cold to strike
Pillion is a coming-of-age dramedy hidden amid a kinky film about sub/dom relationships. Harry Lighton’s indie comedy/drama balances the very adult underground world of leather daddies with a crowd-pleasing story about a young man finding his own way in the sexual landscape of gay relationships.
Onimusha: Way of the Sword is a franchise revival that feels like it understands what made the original games so much fun. The gameplay is fast, frantic, and often delightfully violent, while the game throws a surprisingly large number of systems and mechanics at you. Thankfully, most of them feel
Carrie is one of Stephen King’s most loved and cherished works of fiction. Made into a seminal 1976 film and a later, more disappointing 2013 one, Carrie is an ageless tale of bullying, puberty, and female rage. When Mike Flanagan announced he was tackling the story of a telekinetic
For anyone who grew up in the early 2000s and more specifically in the wake of Post 9/11 America, To Catch a Predator was a ubiquitous show that felt like the start of something new in media and journalism. A beacon of sensationalist entertainment approached with reckless abandon but wholly