It Was Just An Accident reinvents the revenge thriller as a layered character study about forgiving the people who committed the worst crimes possible. A car breaking down in Iran creates a domino effect that leads to one of the year’s most surprising crowd-pleasers. The film opens with a man
Jim Jarmusch is not a writer/director known for creating action-packed films, but he reaches a new level of idiosyncrasy with Father Mother Sister Brother. The anthology follows three families on different journeys and stages of their lives. The three stories feel too separate and cold to strike
Pillion is a coming-of-age dramedy hidden amid a kinky film about sub/dom relationships. Harry Lighton’s indie comedy/drama balances the very adult underground world of leather daddies with a crowd-pleasing story about a young man finding his own way in the sexual landscape of gay relationships.
I remember seeing the trailer for The Dog Stars and having my eyes roll back in my head. Do we really need more post-apocalyptic stories when we're living in a real life apocalypse? Do we need another movie that has an analog for COVID-19 and the aftermath that had on our own society. Well,
We're in the era of liminal spaces, folks. Movies like Skinamarink, Backrooms, and Exit 8 have all proven that audiences, especially younger audiences, can't get enough of them. it Ends brings us really two liminal spaces in one movie. The film tells the story of four friends who are getting
Jaadugar: A Witch in Mongolia both kicks up the action and ramps up the stakes with a very poisonous plotline in Ep. 9 "Tengri". In fact, this is the most amount of bloody action we've seen in this anime in a while. However, in terms of story, it still takes second fiddle to the very sudden