The works of Dr. Seuss are hard to adapt into cinematic experiences, mostly because of the difficulty involved in balancing the humor to appeal to both kids and adults. For every Jim Carrey blockbuster there’s a contractually obligated Mike Myers example that helps balance out the equation.
It Chapter Two stays faithful to Stephen King's vision with powerful themes and performances, but Pennywise's lack of clarity and the film's length hurt it.
Indulging every absurd idea that pops into his head, the film unfolds with propulsive vibrance and unshackled execution. That approach turns out to be a bit of a gift and a curse for Riley; a gift in the sense that we get something fresh and original, but a curse because its unbridled approach
Though marital arts action cinema is vast and varied, it is rare for one to elevate the genre and push it forward. There have been few recently - The Raid comes to mind, and while not technically "martial arts" I'd argue John Wick counts - that feel as if something new and special is happening.
This is a first for Marvel Studios and their Marvel Television branch for their Special Presentations. We've had others like Werewolf By Night that introduced a new character, but not one for an already established character like The Punisher. The Punisher: One Last Kill comes off the heels of his
