"Black Phone 2" is the highly anticipated sequel to 2021 surprise feature horror film from Scott Derrickson. It takes place four years after the events of the first film. Now Finn and Gwen are back. While Finn deals with his trauma and PTSD of his interactions with "The Grabber", Gwen is looking
Blumhouse's "Black Phone 2" is ready to terrorize theaters on October 17. In the sequel directed by Scott Derrickson shows that "true evil transcends death", with the return of the Grabber, played by Ethan Hawk. At the center of the story are siblings Finn and Gwen, played by Mason Thames and
"Wolf Man" is getting set to debut in theaters January 17. This is the latest horror feature film from Blumhouse and Universal Pictures featuring a classic monster. As far as the Wolfman is concerned it will be 84 years since it first debuted for Universal back in 1941. To direct this modern
You can get scary at your local AMC theater with both new releases and old favorites this fall. BlumFest returns with a new lineup of legacy films re-releasing for a limited time. BlumFest comes from acclaimed horror production company Blumhouse. The six-week festival kicks off September 25, and
Sasaki and Peeps gives us plots galore being brewed up, as you might expect from Ep. 15 "Concealment and Infiltration" with that title. Complete with both the faking of a death and an undercover operation to investigate the death game faction. It's all great ingredients for some serious political
Sasaki and Peeps brings us one big magical SNAFU in Ep. 14 "Death Games and Demons", complete with a bloody fight and civilian deaths. As you might imagine, this is as huge a problem as the title suggests. And yet, it still falls short of a true action-packed episode due to the lack of action
Who could've guessed that a film about a stinky fisherwoman and a wicker husband would end up being one of the most romantic movies of the year? For all its vulgarity and absurdity, Wicker weaves a surprisingly sincere, shockingly sweet fable of against-all-odds love and a dismantling critique of