RJ Mitte, the actor and disability advocate who played the angsty teenage son of chemistry teacher turned drug kingpin Walter White on Breaking Bad, died today at the age of 34. TMZ reported his death occurred in Brownsville, Texas, and the county officials indicated it was suicide. His
Malcolm in the Middle: Life’s Still Unfair just got a surprise teaser from Hulu and Disney+. Fans of the Y2K favorite are amped for four episodes of the hit show. Malcolm in the Middle: Life’s Still Unfair Brings back all the familiar
Crank the They Might Be Giants - Malcolm in the Middle will return in 2025. The iconic 2000s sitcom plans to celebrate its 25th anniversary with a special tribute: a limited, four-episode revival run over on Disney+. So far, at least three of the original cast members are set to reprise their
If you love movies and TV about making movies and TV, Apple TV+ has a series for you. The streamer released the first preview of The Studio today. The upcoming comedy series stars Seth Rogen as the head of film studio, and shows the chaotic behind-the-scenes world of bringing movies to life. Check
Are you ready for a witty, reality-bending, globe-encircling spy flick? It’s almost time to experience Argylle in theaters. The film brings together an author of spy novels, a real-life secret agent, and a cat for one high-stakes adventure. Sound strange? Well, just get on board, as star Bryan
Joe Bob Briggs and Darcy the Mail Girl returned for The Last Drive-In: Joe Bob's Halloween House Party, delivering a double feature built around two very different approaches to Halloween horror. This time, the legendary horror host paired Body Bags (1993) with WNUF Halloween Special (2013),
George Carlin told perhaps the greatest joke on football ever told in his 10/11/1975 SNL monologue, where he contrasted the pastoral nature of baseball with the warlike sport of football. To quote one segment among many, “In football the object is for the quarterback, also known as the field
The term "crowd pleasing" or "crowd pleaser" has found itself layered with some derogatory undertones among critic circles. Broad appeal seems immediately discounted, as if populist filmmaking is somehow lesser than when compared to auteurs and hidden indie gems. I've always maintained that there
