Horror films have seen a resurgence lately. It’s a genre that isn’t just defined by how scary it is, or how gory it is. Horror is nuanced and oftentimes romantic, and when it is given the freedom to be what it wants to be, it’s also complex and thought-provoking. And with the nearly endless
Horror films have seen a resurgence lately. It’s a genre that isn’t just defined by how scary it is, or how gory it is. Horror is nuanced and oftentimes romantic, and when it is given the freedom to be what it wants to be, it’s also complex and thought-provoking. And with the nearly endless
Horror films have seen a resurgence lately, especially as they become more mainstream, as seen with films such as The Substance and Sinners. It's a genre that isn't just defined by how scary it is, or how gory it is. Horror is nuanced and oftentimes romantic, and when it is given the freedom to be
The story of Michael Jackson is fascinating, and it's easy to see how they would make a movie out of it. From his childhood to the making of Thriller to his later career albums like Bad, and then all of the turmoil and controversy in his later life. Even his final days were littered with moments to
Sometimes the best way to access the core of a film is to let it take you over completely. Locked behind metaphorical dialogue and an obtuse artistry, the key to the door is simply letting it all in and fester inside until the understanding comes to light. You can't second-screen a film like this,
Joe Bob Briggs and Darcy the Mail Girl returned for one of their four final specials for The Last Drive-In with a creature feature meets modern horror pairing, bringing together Rawhead Rex (1986) and Oddity (2024). It is a bizarre double feature on paper, and somehow even stranger in execution.
