This weekend sees the release of the horror movie Faces of Death, a reimagining of the 1978 film written and directed by John Alan Schwartz. While Faces of Death garnered some attention in horror circles because it was presented as an actual documentary, which made its gruesome imagery far more
Remaking Faces of Death is a hell of a move in 2026. Although, this movie doesn't really remake that diabolical film from 1978, it instead takes inspiration from it and it even exists in the universe that this film takes place in. So getting that out of the way so that the horror "diehards" who
The new reimagining of Faces Of Death has been doing some great work with its marketing including promoting that they got their first trailer kicked off YouTube. Now, they have a red band trailer available for the film. Check that out below. Faces of Death stars Barbie Ferreira, Dacre Montgomery,
The new trailer from Faces of Death is out and it shows some grisly terror. IGN were the first ones to get the trailer for their Fan Fest 2026 event. It’s inspired by the 1978 film of the same name, but reimagined for a digital generation. Written by Mazzei & Goldhaber, based on The Gorgon Series
Independent Film Company and Shudder both announced today that they've acquired North American rights to Daniel Goldhaber and Isa Mazzei's film Faces of Death. It's inspired by the 1978 film of the same name, but reimagined for a digital generation. Written by Mazzei & Goldhaber, based on The
It was just three years ago that the world was introduced to the magical world of The Super Mario Bros. Movie. That film was a runaway success at the box office and was surprisingly great, considering some of the gripes coming into it. Now, we're getting a sequel that is adapting one of the most
There's a growing trend in cinema right now, and that is the trend of movies being fun again. Just a good old-fashioned time at the theater (or home since streaming accounts for most viewership these days) filled with laughs and action and heart that remind you why you go to escape in the first
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Sometimes the best way to access the core of a film is to let it take you over completely. Locked behind metaphorical dialogue and an obtuse artistry, the key to the door is simply letting it all in and fester inside until the understanding comes to light. You can't second-screen a film like this,
