When it comes to collecting just about everyone has a Funko Pop! in their collection. Hell, you can't even walk into a gas station these days without finding one. These little 4inch bobbleheads are everywhere. Well, one franchise that seems to be always growing with these POPs! is Star Wars. Those
“Looks like I'm going nowhere. Now, if you'll excuse me, I'm gonna go finish cleaning those droids ” Before Luke Skywalker became a Jedi, he spent his younger years working on his uncle's moisture farm on Tatooine. There we see one of the most iconic scenes from the Skywalker Saga.
Indiana Jones and the Kingdom of the Crystal Skull was ill-received for a myriad of reasons, not the least of which was the silly notion of space aliens flying off to the “space between.” George Lucas’ other legacy franchise, however, has found a way to make use of that space between in a
Mark Hamill has taken himself out of the picture to possibly play Luke Skywalker again, even in voicing the character or as a Force ghost. That's given Entertainment Weekly's reporting that "Hamill feels his time as Luke Skywalker in the Star Wars universe has come to an end." Hamill's first reason
Today's Fan Feature comes once again from the incredible Facebook group Star Warriors (All things Star Wars). (If you haven't checked them out yet, you can do so HERE.) Now, we all love Star Wars. For many of us it's been a part of our lives for over four decades. But… there are those times in
Star Wars certainly has plenty of subtext. There are political undertones, romantic underpinnings, and notions of social justice (which have been there since 1977, Kathleen Kennedy haters; don’t pretend they haven’t). One of the most prevalent themes, however, is also of the least talked-about.
Jordan Firstman's Club Kid was the talk of the town at this year's TIFF. As well as Telluride. And Cannes. Whatever film festival this film goes to, it invites the kind of enthusiasm that can shake mountains. Going in, I was nervous that Club Kid wouldn't live up to the lofty expectations I had set
Your Mother Your Mother Your Mother is a grounded, pulse pounding gut-punch of a film. A wholly unique experience that proves that you can still iterate on conventions and present them with a sense of newness.
What happens when you make a movie that's about four years too late on its subject matter? You get The Social Reckoning. At this point in our lives, we all know that social media is a cesspool and that a lot of that is Facebook/Meta's fault. They chose to act like the silent arbiter and actively
