Embrace your love for pop culture this Valentine's Day at BoxLunch! The go-to shop for merch from Disney, Marvel, Sanrio, and more huge fandoms is stocked up with apparel and accessories to celebrate the season. Grab the Mickey to your Minnie or the Marceline to your Princess Bubblegum and get
What happens when Peter Parker and Miles Morales team up? You get a lot of web-slinging action and the new SPECTACULAR SPIDER-MEN #1 series. Created by Greg Weisman and Humberto Ramos, SPECTACULAR SPIDER-MEN #1 will hit local comic shops on March 6. But to add to the excitement of this release
Professor Hulk is here to help deliver some scoops and information on the film and TV industry. This week, we’re going to be talking about some Spider-Man: No Way Home/Spider-Man 4 news. Many of us are hyped to see a live action Spider-Verse happen on screen. However, there are lot of casting
==== WARNING: MINOR SPOILERS ==== While Marvel has consistently put out quality films that legions of fans were sure to enjoy, Sony's Spider-Man entries have been a little bit more of a wildcard, with each successive Peter Parker charming some hearts while repelling others. But all that is about to
Sasaki and Peeps gives us plots galore being brewed up, as you might expect from Ep. 15 "Concealment and Infiltration" with that title. Complete with both the faking of a death and an undercover operation to investigate the death game faction. It's all great ingredients for some serious political
Sasaki and Peeps brings us one big magical SNAFU in Ep. 14 "Death Games and Demons", complete with a bloody fight and civilian deaths. As you might imagine, this is as huge a problem as the title suggests. And yet, it still falls short of a true action-packed episode due to the lack of action
Who could've guessed that a film about a stinky fisherwoman and a wicker husband would end up being one of the most romantic movies of the year? For all its vulgarity and absurdity, Wicker weaves a surprisingly sincere, shockingly sweet fable of against-all-odds love and a dismantling critique of
