It's always a risk when you ask a performer to shoulder a film and carry it over the finish line. Sometimes it works, the star's sheer charisma is enough to override the glaring flaws. But often times, no matter how bright that star shines it can't outshine the weaknesses. Thus is the case with
I am such a sucker for films that make their setting a character. The kind where the city itself is so integral to the story it can't be made anywhere else. I also love a good 70s crime thriller, character-driven narratives packed with equal heart and thrills. Enter The Only Living Pickpocket in
I've had stock in Julia Ducournau since her debut film Raw, and doubled down on that buy in with her follow up Titane. So naturally my excitement for her third outing Alpha could not be contained. An expert in body horror mixed with insightful ideas of grief and generational trauma, Ducournau has
In television, hospital shows are a dime a dozen. The rise of The Pitt, the unstoppable longevity of Grey's Anatomy, and a number other hospital-centric shows reveal no shortage of fascination with medicine and trauma. It's often rare in cinema unless its haunted wards or part of a protagonist's
Michel Franco has always been a controversial writer/director. The kind of filmmaker who invites conflict while insisting on tackling complex themes of sex, class, and social systems. Franco has always presented his works with a sort of distant approach, and Dreams is no different. A cold, distant,
For a film festival seemingly set on remaining apolitical - from the programmers to the directors to the celebrities - it's kind of ironic that both of the Berlin Film Festival's winners were politically supercharged. The Golden Bear - the festival's most prestigious award went to Yellow Letters,
!['Diabolic' - A Fresh New Kind of Witchy Horror [Review]](https://thathollywoodshow.com/wp-content/uploads/2026/02/93bea7d3-50c8-44fb-b9a8-4d4d4e289494-660x371.webp "93bea7d3-50c8-44fb-b9a8-4d4d4e289494")
Horror films have seen a resurgence lately, especially as they become more mainstream, as seen with films such as The Substance and Sinners. It's a genre that isn't just defined by how scary it is, or how gory it is. Horror is nuanced and oftentimes romantic, and when it is given the freedom to be
If you love Studio Ghibli movies, a new animated film might be right up your alley. Arco, directed by Ugo Bienvenu, tells the story of two unlikely friends who have to join together to save each other. Quite literally. Arco is a young boy from a peaceful future who uses his flight suit to go back
I remember seeing the trailer for The Dog Stars and having my eyes roll back in my head. Do we really need more post-apocalyptic stories when we're living in a real life apocalypse? Do we need another movie that has an analog for COVID-19 and the aftermath that had on our own society. Well,
Daemons of the Shadow Realm reveals the depths a certain hunter named Ivan has in Ep. 20 "The Hunted and the Hunter". It's very bloody and dark depths, but it does show that Ivan will likely be a major recurring villain in the story, and will play a major role in that story somehow. As well as
Dinosaurs may be the most beloved creatures to ever exist - sans cute puppies and cats on the internet. They're usually everyone first obsession when they're young, and no one ever gets tired of seeing a T-rex. So why are most dinosaur movies, built on the backs of surefire hit animal so bad all
