Richard Linklater has been on quite a kick recently with his latest films. Blue Moon detailed the opening night of the musical Oklahoma! and Larry Hart’s (Ethan Hawke) struggle with his collaborator Richard Rodgers (Andrew Scott), moving on. His follow-up is Nouvelle Vague, aptly named as the film
Blue Moon's driving factor is its simplicity. Director Richard Linklater (Boyhood, Hit Man) utilizes it in such a way that its simple setting--Sardi's--becomes a character itself. The limited scenery pulls focus to the characters set within it, all of them anchored by a tour de force performance
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Hit Man Movie Review - Glen Powell Shines As A Fake Hitman Hit Man really is a tale of two movies, but not in the way that phrase normally means. The first half of the film is a whimsical ride through the "honeymoon" phase of someone and their new career direction. The second half morphs into a
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The last few episodes of HBO's The Pitt have been a whirlwind of activity. Though not covered here, the show ran the gamut from staff assaults to ICE's appearance. The latter was a prescient addition to the storyline given the current climate in America, and something the show portrayed correctly.
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Sometimes the best way to access the core of a film is to let it take you over completely. Locked behind metaphorical dialogue and an obtuse artistry, the key to the door is simply letting it all in and fester inside until the understanding comes to light. You can't second-screen a film like this,
Remaking Faces of Death is a hell of a move in 2026. Although, this movie doesn't really remake that diabolical film from 1978, it instead takes inspiration from it and it even exists in the universe that this film takes place in. So getting that out of the way so that the horror "diehards" who
