This weekend’s box office cooled off from last week’s massive surge, though one major holdover continued to drive the majority of ticket sales. Outside of the top spot, the chart was tightly packed, with several films posting similar numbers in a relatively quiet frame. Project Hail Mary Stays
This weekend sees the release of They Will Kill You, an action comedy horror film that is destined to become a cult classic. Directed by Kirill Sokolov from a screenplay he co-wrote with Alex Litvak, They Will Kill You is an agglomeration of different movie styles that works to showcase Sokolov's
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Sometimes SXSW is the perfect festival for a film to premiere at: The festival is very audience-driven, and those attending know exactly what they're there for. Such is the case for Kirill Sokolov’s action horror comedy They Will Kill You. With elements of Sam Raimi's Evil Dead franchise in
SXSW is where genre films go feral, indies get discovered, and at least one midnight screening turns into the movie everyone pretends they saw first. This year’s lineup feels aggressive in the best way. Big casts. Horror dominance. Streaming premieres are stacked next to theatrical plays. And more
With the turn of the New Year, we're treated to plenty of new movies on the horizon. They Will Kill You comes from New Line Cinema and Nocturna. The film unleashes a blood-soaked, high-octane horror-action-comedy in which a young woman must survive the night at the Virgil, a demonic cult’s
It was just three years ago that the world was introduced to the magical world of The Super Mario Bros. Movie. That film was a runaway success at the box office and was surprisingly great, considering some of the gripes coming into it. Now, we're getting a sequel that is adapting one of the most
"Malcolm in the Middle: Life's Still Unfair" is now available on Hulu. The title of the show really sells how fans of the franchise that ran from 2000 through 2006 should feel about the series. I promise I will explain. This "revival" brought back as many stars as they could, including Frankie
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Sometimes the best way to access the core of a film is to let it take you over completely. Locked behind metaphorical dialogue and an obtuse artistry, the key to the door is simply letting it all in and fester inside until the understanding comes to light. You can't second-screen a film like this,
