In television, hospital shows are a dime a dozen. The rise of The Pitt, the unstoppable longevity of Grey's Anatomy, and a number other hospital-centric shows reveal no shortage of fascination with medicine and trauma. It's often rare in cinema unless its haunted wards or part of a protagonist's
"The Astronaut" from Vertical is ready to launch into theaters on October 17. This psychological thriller, firs premiered at the 2025 SXSW Film & TV Festival. The film follows an astronaut played by Kate Mara who crash lands on Earth, but there is a mystery regarding what hit her and if something
Fight or Flight just revealed a new clip on social media. Josh Hartnett’s renaissance rolls on with a new action movie. The good folks over at Letterboxd shared new footage of Hartnett in a bar. His mercenary character is at the end of his rope, and that’s probably a bad sign for anyone
"The Damned", a psychological horror film from Vertical, is now available on digital and on-demand. The film centers around a widow that is tasked with an impossible decision of in a sense choosing who gets to live and who dies as a furious winter invades her fishing outpost. Regardless of the
"Bookworm" from Vertical is now available on demand. This action, comedy, and adventure film follows a girl named Mildred, played by Nell Fisher, who is trying to raise money to help her mom by capturing an elusive creature on film. But while her mom is in the hospital, her estranged, failed
Remaking Faces of Death is a hell of a move in 2026. Although, this movie doesn't really remake that diabolical film from 1978, it instead takes inspiration from it and it even exists in the universe that this film takes place in. So getting that out of the way so that the horror "diehards" who
The trailer for A24's The Drama does a great job of keeping things intentionally vague. We meet Charlie (Robert Pattinson) and Emma (Zendaya), a couple about to get married who seem like they know everything about each other… until they very clearly don’t. One drunken night at dinner with
When Margaret Atwood returned to Gilead almost 35 years later, with her book The Testaments, the sequel to her seminal The Handmaid’s Tale, they said she could never match its genius. The story more than matched her 1985 dystopian classic, winning the 2019 Booker Prize, feeling horrifically timely
