In television, hospital shows are a dime a dozen. The rise of The Pitt, the unstoppable longevity of Grey's Anatomy, and a number other hospital-centric shows reveal no shortage of fascination with medicine and trauma. It's often rare in cinema unless its haunted wards or part of a protagonist's
"The Astronaut" from Vertical is ready to launch into theaters on October 17. This psychological thriller, firs premiered at the 2025 SXSW Film & TV Festival. The film follows an astronaut played by Kate Mara who crash lands on Earth, but there is a mystery regarding what hit her and if something
Fight or Flight just revealed a new clip on social media. Josh Hartnett’s renaissance rolls on with a new action movie. The good folks over at Letterboxd shared new footage of Hartnett in a bar. His mercenary character is at the end of his rope, and that’s probably a bad sign for anyone
"The Damned", a psychological horror film from Vertical, is now available on digital and on-demand. The film centers around a widow that is tasked with an impossible decision of in a sense choosing who gets to live and who dies as a furious winter invades her fishing outpost. Regardless of the
"Bookworm" from Vertical is now available on demand. This action, comedy, and adventure film follows a girl named Mildred, played by Nell Fisher, who is trying to raise money to help her mom by capturing an elusive creature on film. But while her mom is in the hospital, her estranged, failed
The magnitude of human achievement is as high as Everest itself. The depths in which we can push ourselves beyond assumed capability is quite astounding, and Everest: The Other Side is a prime example of unbelievable human feats. The risks and dangers are all optional, but the drive for greatness
Animated movies targeted to children are basically required by law to have a big musical number at some point in their runtime in 2026. But, The Cat in the Hat’s earworm title song hits pretty early in the film. As you know, from both commercials and the fact you clicked on this article, Bill
In his first film in almost a decade, Lee Chang-dong (Burning) languidly explores class in a thematically rich piece that rewards attentive audiences. It’s a dense, intricately written, almost three-hour movie that seems mundane on the surface but offers real psychological insight into Korean
