Olivia Munn (X-men Apocalypse) tackles her best role to date in Justine Bateman’s Violet as a film executive who tells her inner saboteur to f*ck right off. I found Violet to be an incredibly relatable film. How many times have we listened to that nagging voice in the back of our head and
Van Helsing is a show that has never been afraid of taking chances. So opening this season with a time travelling trip back to Dracula-era Transylvania shouldn’t be a surprise. The episode begins back in the present with Violet (Keeya King) and Ivory (Jennifer Cheon Garcia) locked up after
Jaadugar: A Witch in Mongolia proves the old adage that no plan survives contact with the enemy in Ep. 5 "A Snake Shows Its Colors, Man Hides His Colors". Admittedly, the plan isn't even Sitara's plan. It's the plan of her mistress Sorghaghtani. However, it still becomes clear that the whole plan
We all have that one film we saw when we were far too young to see. That one movie that we snuck a peek at when our parents went to bed, or movie hopping at the theater to the R-rated movie you couldn't buy a ticket for, or at your friend's house with parents who didn't care what you watched. What
Daemons of the Shadow Realm shows us one of the most wonderfully executed baited traps in Ep. 17 "Crybaby and Naughty Child". All with the intended target of the trap, a traitor within the ranks of the Kagemoris, taking it hook, line, and sinker. The resulting battle as well as the ripple effects
