"What We Do In The Shadows" has now said goodbye with its Season 6 and Series Finale on FX. Since 2019 we have followed the lives of Nandor, Laszlo, Nadja, Colin Robinson, The Guide, and Guillermo. But it looks like the documentary is now over. What is left is a collection of insane adventures that
The Critics Choice Association announced its 2025 TV nominations today. The FX/Hulu series Shōgun lead with the most nominations - six nods in total, including Best Drama Series. Second place on the Critics Choice Award leaderboard is a six-way tie; Abbott Elementary, Disclaimer, The Diplomat,
Happy October! Get ready to dive into the spooky, scary, and supernatural this month, as well as a big return for fall network TV. First, scare up a blood-sucking good time with the return of FX’s vampire comedy What We Do in the Shadows and the premiere of Salem’s Lot on Max. You can also
San Diego Comic Con is just around the corner. With thousands of pop culture fans descending on the city soon, let’s take a look at some of the biggest panels hitting the convention center. Here’s all the panels taking place in the legendary Hall H for SDCC 2024: Note: This list will be updated
FX is bringing some of its heavy hitters to this year's Comic-Con in San Diego. Taking place from July 25-28. Creating an immersive space for fans to interact with their favorite series is only possible at Comic-Con. This year, you'll have the chance to stop by The Bear Restaurant Pop-Up. Descend
It was just three years ago that the world was introduced to the magical world of The Super Mario Bros. Movie. That film was a runaway success at the box office and was surprisingly great, considering some of the gripes coming into it. Now, we're getting a sequel that is adapting one of the most
"Malcolm in the Middle: Life's Still Unfair" is now available on Hulu. The title of the show really sells how fans of the franchise that ran from 2000 through 2006 should feel about the series. I promise I will explain. This "revival" brought back as many stars as they could, including Frankie
Sometimes the best way to access the core of a film is to let it take you over completely. Locked behind metaphorical dialogue and an obtuse artistry, the key to the door is simply letting it all in and fester inside until the understanding comes to light. You can't second-screen a film like this,