The first part of Sakamoto Days season 1 ended on March 22, 2025 to some amazing success. It would seem that the anime adaptation of the hit Shonen Jump action comedy manga of the same name by Yuto Suzuki is one of Netflix's biggest anime hits. It's not even hard to see why in spite of the first
SAKAMOTO DAYS is getting amazingly popular in spite of how new it is. Honestly, it's a testament to how good the story of this anime is, which itself is based off of the manga of the same name by Yuto Suzuki. Fans of that manga will recall the ridiculous yet awesomely over-the-top action scenes
SAKAMOTO DAYS has to be one of the most widely anticipated anime series of 2025, and it's not hard to see why. This anime is adapted from the manga of the same name by Yuto Suzuki, after all. It's one of the most popular manga in Shonen Jump's lineup, with over seven million copies of the manga in
Sakamoto Days is one of the oddest Shonen Jump manga in existence. It's not just the often shocking levels of blood and violence committed often to hilarious levels of casualness, but it's also the philosophical themes around killing and said violence. Complete with jaw-droppingly gorgeous and wild
SAKAMOTO DAYS is one of the most popular Shonen Jump manga in the publication for some very good reasons. With the manga's mix of some insane action sequences and bizarre-sometimes veering into the surreal-comedy bits, it's pretty clear that Yuto Suzuki has a winning formula on their hands. The
The trailer for A24's The Drama does a great job of keeping things intentionally vague. We meet Charlie (Robert Pattinson) and Emma (Zendaya), a couple about to get married who seem like they know everything about each other… until they very clearly don’t. One drunken night at dinner with
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The last few episodes of HBO's The Pitt have been a whirlwind of activity. Though not covered here, the show ran the gamut from staff assaults to ICE's appearance. The latter was a prescient addition to the storyline given the current climate in America, and something the show portrayed correctly.
When Margaret Atwood returned to Gilead almost 35 years later, with her book The Testaments, the sequel to her seminal The Handmaid’s Tale, they said she could never match its genius. The story more than matched her 1985 dystopian classic, winning the 2019 Booker Prize, feeling horrifically timely
