Zach Cregger, the mind behind films like Weapons and Barbarian is taking on Resident Evil now. Check out the trailer for his new vision of the series below! Austin Abrams stars as Bryan, a medical courier who finds himself racing for survival as the town of Raccoon City goes to hell around him.
Hokum is a story about telling stories, and all of the elevated frights and scares mined from timeless sources of culture lend it all to feel but lived in and supernaturally surreal. Smart choices like this leave me wanting more from both McCarthy and Irish folktales. They gave us whiskey and
“From” is a stunning original horror series from John Griffin, now on its fourth season at MGM+ (and the most-watched series in MGM+ history). Its newest season sees Sophia, played by Julia Doyle, enter the town in a startling car wreck. MGM+ has been a streaming home to a growing number of
Like many quaint New England island towns (at least if you ask Stephen King), Widow's Bay is full of old history and rampant superstitions. Mayor Tom Loftis (Matthew Rhys) wants to modernize and revive the place into the next Martha's Vineyard (making it a hopping tourist destination), even though
Anne Hathaway is back on the big screen this weekend in The Devil Wears Prada 2, and it comes not too long after the release of A24's Mother Mary, with the two films contributing to a big year for the actress, who has three more movies to come out in the coming months. It's great to see Hathaway
Sometimes the best way to access the core of a film is to let it take you over completely. Locked behind metaphorical dialogue and an obtuse artistry, the key to the door is simply letting it all in and fester inside until the understanding comes to light. You can't second-screen a film like this,
There's a growing trend in cinema right now, and that is the trend of movies being fun again. Just a good old-fashioned time at the theater (or home since streaming accounts for most viewership these days) filled with laughs and action and heart that remind you why you go to escape in the first
When Margaret Atwood returned to Gilead almost 35 years later, with her book The Testaments, the sequel to her seminal The Handmaid’s Tale, they said she could never match its genius. The story more than matched her 1985 dystopian classic, winning the 2019 Booker Prize, feeling horrifically timely