“They’re coming to get you, Barbara” is one of the most famous lines in a movie. Thanks to George Romero we have it. He gave us one of the greatest zombie movies of all time, Night of the Living Dead, and the first time that zombies are flesh eaters. Before this, zombies were just undead
Enter Tehmina Beg, VFX Supervisor at Molecule, currently working on Modern Love. But lest you think Tehmina’s experience is limited to romantic comedies, her VFX CV includes such programs as The Orville, The Exorcist, DC’s Legends of Tomorrow and Marvel’s The Defenders… to name but a few.
[WARNING: Article contains major spoilers for James Bond: No Time to Die. Read on at your own risk.] I, like pretty much everyone else, went into No Time to Die with high expectations. The film would be, after all, Daniel Craig's final turn in the title role. Craig has, as we know, portrayed Ian
[Warning: Article contains spoilers for the latest Star Wars book Ronin: A Visions Novel.] Star Wars: Visions is not for everyone. Much of the heavily stylized animation, for some, just felt like too much of a departure from the franchise norm. Lucasfilm likely recognized that would be the case,
[Warning: article contains commentary that could be considered very minor spoilers.] One of the greatest things about Star Wars (despite what some gatekeeping trolls would have you believe) is that there is so much of it that one is able to appreciate the franchise as a whole, even if there are
VFX Supervisor Luke Millar talks specifics about what he and his team were able to accomplish for the effects-heavy Jungle Cruise film.
The Apothecary Diaries thickens up the plot with some serious family and political drama in Ep. 51 "Let Them Eat Cake". Students of history will readily recognize that title as the most infamously apocryphal line Marie Antoinette spoke just before the French Revolution came calling, indicating her
"Universal Monsters: The Bride of Frankenstein Lives #1" is an intriguing start to the four-part story of the classic monster's origin.
Netflix's animated adaptation of AJ Dungo's graphic novel is a gorgeous and deeply moving love story that reminds us that grief never truly disappears, but neither does the love we carry for those we've lost. Last night, I had the opportunity to watch Netflix's new animated film In Waves, directed
