!["Poetic License" Laugh Out Loud Coming of Age Buddy Comedy [SXSW Review]](https://thathollywoodshow.com/wp-content/uploads/2026/03/Poetic-License-Still-Image-660x357.webp "Poetic License – Still Image")
There seems to be something in the water over at the Apatow house. The irreverent comedy is alive and well, the mantle carried by Maude Apatow in her directorial debut with Poetic License. Everything you love about buddy comedies, foul-mouthed protagonists, and aimless man-child antics are all
![Journal With Witch Ep. 11 "Set Free": Personal Revelation [Review]](https://thathollywoodshow.com/wp-content/uploads/2026/03/Journal-With-Witch-Review-9-660x371.webp "Journal With Witch Review (9)")
Journal with Witch has Asa set herself free with a very personal revelation about her future in Ep. 11 "Set Free". After seeing all the love and chaos in her Valentine's Day surroundings, it finally looks like she has a grip on her life at long last. Not only that, it's a rather musical grip to
Director-writer duo Alex Prager and Vanessa Prager bring their dystopian science fiction satire Dreamquil (2026) to SXSW with a film that blends retro aesthetics, AI anxiety, and domestic discontent. The story centers on Carol (Elizabeth Banks), a wife and mother struggling to balance career
I am not the target audience for 1000 Women In Horror. I'm a seasoned horror fan who knows how important women are and have been to the history of the genre. Horror is a woman. Think about it, sure, the masters of horror might all be men (until we make a new bunch of masters), but they all used
Writer/Director Macon Blair is trying to bring back the chaotic road-trip comedy with The Shitheads. But does it work? I’m unsure. There are moments that land and genuine laughs sprinkled throughout, but it has left me wondering if the movie itself misses the mark or if I’ve simply outgrown this
There's no sense in burying the lede here. Obsession is about as good as horror gets, making an absolute meal out of its simple premise and delivering just about everything you could want from a genre film. It's smart, sometimes funny, always entertaining and often downright terrifying. Its expert
Let’s talk about one of my favorite films to come out of SXSW, Edie Arnold is a Loser. The story is a coming-of-age indie film that channels teenage alienation through the raw energy of punk. The story follows the shy Catholic School dork, Edie Arnold, who is dragged against her will to a punk
![TRIGUN STARGAZE Ep. 9 "Reunion": One Last Laugh [Review]](https://thathollywoodshow.com/wp-content/uploads/2026/03/Trigun-Review-7-660x371.webp "Trigun Review (7)")
TRIGUN STARGAZE has one last laugh for our heroes Vash and co. before the big battle against Knives in Ep. 9 "Reunion". It's quite the laugh too, full of ridiculous comedy and fluffy slice of life galore. However, it also looks like it's the last bit of calm before they finally got into the last
![‘Beware Boiúna’: Judgment is Coming, and She’s Slippery [FANTASTIC FEST REVIEW]](https://thathollywoodshow.com/wp-content/uploads/2026/09/FAN-FATALES-REVIEWS-1-320x192.webp "FAN FATALES REVIEWS")
In a place as vast as the Amazon, it makes sense that a giant snake would be the ultimate predator. Feasibly, a giant snake could dwell in the waters of the Amazon River; after all, with how many new species are still being discovered each year it really would not be too far-fetched. Beware Boiúna
Onimusha: Way of the Sword is a franchise revival that feels like it understands what made the original games so much fun. The gameplay is fast, frantic, and often delightfully violent, while the game throws a surprisingly large number of systems and mechanics at you. Thankfully, most of them feel
Anna (Jasmine Trinca) is a wealthy woman who has a beautiful family in the 90s in Italy. The story, split throughout time with flashbacks to their lives in the 90s and up through 2026, allows the audience to see what Anna inflicts on her family through each decade. The Spiral gives Anna an
