!["Chasing Summer" is One of the Best (and Sexiest) Rom-Coms in Years [Sundance 2026 Review]](https://thathollywoodshow.com/wp-content/uploads/2026/02/3e0785a9-b850-4982-9635-a095e2f4042b-660x371.webp "3e0785a9-b850-4982-9635-a095e2f4042b")
SUNDANCE DOESN'T NORMALLY DO ROM-COMS... Rom-coms are not the usual genre you see pop up at the Sundance Film Festival and its definitely not my go-to genre, either. But, I was drawn to Chasing Summer by the fact that it was written by and starred Iliza Shlesinger. I became familiar with the wild
Emerald Fennell’s highly anticipated adaptation of Emily Brontë’s Wuthering Heights has finally arrived, and yes, the quotes around the title, the casting of Jacob Elordi, and the sheer audacity of it all have sparked endless discourse. But what becomes immediately clear is this: Fennell
!['Nirvanna the Band the Show the Movie' - The Hilarious and Nostalgic Balm for the World Right Now [REVIEW]](https://thathollywoodshow.com/wp-content/uploads/2026/02/029e9499-56c6-427e-89fc-eb763537a1fa-660x371.webp "029e9499-56c6-427e-89fc-eb763537a1fa")
Imagine Flight of the Conchords if they didn't have a music career. Or how good it feels to just have fun with your best friend, doing whatever it is that you love. It's that kind of offbeat, inoffensive humor that drives Nirvanna the Band the Show the Movie. Nirvanna began first as a web series,
Joe Bob Briggs and Darcy the Mail Girl leaned into classic spooky season comfort with a Haunted House themed episode of The Last Drive In, pairing House on Haunted Hill (1959) with The Innkeepers (2011). On paper, this is a smart double feature. One is a horror relic built on gimmicks and
The Strangers Chapter 3 marks the final installment in Madelaine Petsch’s ambitious horror trilogy. Designed as an anthology told in three chapters, The Strangers films were always meant to unfold like a book: Chapter 1 lays the foundation, Chapter 2 expands the mythology, and Chapter 3 brings the
![The Pitt Season 2 Ep 5: A Tragedy and a Comedy [Recap/Review]](https://thathollywoodshow.com/wp-content/uploads/2026/02/The-Pitt-Review-660x371.webp "The Pitt Review")
In this week's episode of The Pitt, expect to be treated to a scene that's really going to make you rethink ever praising how detailed this show likes to be. In "11:00 A.M.," we feel like we are truly in the middle of the ER and its endless chaotic machinations. There's sepsis, constipation, a
!['Dracula' - Luc Besson Sinks His Teeth into Familiar Flesh [Review]](https://thathollywoodshow.com/wp-content/uploads/2026/02/bfbb0b62-5668-4246-96a0-0c30c3f22efc-660x371.webp "bfbb0b62-5668-4246-96a0-0c30c3f22efc")
Luc Besson's career has twisted and turned down many paths since he burst onto the scene in the 1990s with his distinct visual style, and, on some level, it is surprising that he would now undertake yet another Dracula adaptation, seemingly out of the blue. There have been so many adaptations of
!['Good Luck, Have Fun, Don't Die': We Should All Be Anti-AI [Review]](https://thathollywoodshow.com/wp-content/uploads/2026/02/22edb26b-4385-4fc4-a9dd-b4d1ab351af7-660x371.webp "22edb26b-4385-4fc4-a9dd-b4d1ab351af7")
Gore Verbinski reminds us why he's one of the best who has ever done it with his new anti-AI action/comedy Good Luck, Have Fun, Don't Die. The fact that this film exists on a smaller scale, giving Verbinski room to go full zany weirdo with it, is exactly what it needs. And in a time when Hollywood
Daemons of the Shadow Realm gives us some truly fateful meetings between old friends (and family) and new in Ep. 14 "Family and Friends". All complete with some dark secrets spilling forth out of the shadows, and Yuru's bond with his old friends and family being tested quite a bit. All in all, I
Cinema history is riddled with both coming-of-age tales and biopics aplenty. Tony, the new feature by Matt Johnson (BlackBerry, Nirvanna the Band the Show the Movie), lies at the intersection of these well-worn traditions. Based on Anthony Bourdain’s chronicles of his early journey into the
Indulging every absurd idea that pops into his head, the film unfolds with propulsive vibrance and unshackled execution. That approach turns out to be a bit of a gift and a curse for Riley; a gift in the sense that we get something fresh and original, but a curse because its unbridled approach
