For the past several weeks I have practically had Last Christmas with Emilia Clarke or auto-play. Its a fantastically funny Christmas Comedy with a nice little twist to it. How does this pertain to Discovery? Emilia's boss, Santa, who owns the year-round Christmas shop where she works, sasses her,
We have come to the end of the two-part episode on this week’s Star Trek Discovery Season three, episode 10, “Terra Firma: Part Two”. The first part brought Philippa Georgiou is back into the spotlight. For most of this season, she has been mostly a side character with no real role
The latest episode of Discovery focused largely on Emperor Phillipa Georgiou and her condition. It seems existing outside of one's time and space is fatal, so of course we want to find a cure for our favorite bad attitude Empress. This episode and the next will focus on who Georgiou wants to truly
This week on Discovery we watched "The Sanctuary". For the first time this season I cannot point to one thing and say this was magnificent. The action was good, but not great. Of the performances and character arcs, no one's story really stood out. I can't say 'Oh, Burnham's story was Magnificent'
In Star Trek: Discovery Episode 8, "The Sanctuary", it seems that The Burn and Book are the only causes that Michael Burhamn is interested in investing in. The cause involving Book introduces viewers to an Emperor Georguistyle villain named Osyrra. Meanwhile, Emperor Georgiou is trying to hide the
For a film called All Of A Sudden, very little happens suddenly in Hamaguchi Ryusuke’s sensitive portrayal of friendship and care. The director (Drive My Car) has a particularly patient style of filmmaking that is not universally appealing, but it captures humanity in all its messy earnestness.
Joe Bob Briggs and Darcy the Mail Girl returned for The Last Drive-In: Joe Bob's Halloween House Party, delivering a double feature built around two very different approaches to Halloween horror. This time, the legendary horror host paired Body Bags (1993) with WNUF Halloween Special (2013),
Paweł Pawlikowski’s new film is a dense exploration of a very specific part of Thomas Mann’s life and Germany’s history. Winning Best Picture at Cannes and chosen as Poland’s submission for Best International Film, the film expects a certain level of historical and geographic knowledge