Another week, another installment of Netflix’s exciting, new horror trilogy Fear Street. This time we are flung to the 70’s to hear the story of how C. Berman survived the evil witch at summer camp all of those years ago. Our heroine from the first installment Deena listens
You don’t want the TVA after you. So, make sure you watch Loki episode five before you read this review!It's going to sound like a broken record at this point. Last week's episode, Episode Four, was the best piece of non-finale television that Marvel has made. This week, didn't have
Ever since R.L. Stein and Netflix announced they would be partnering for a horror trilogy based on Stein’s Teen Horror Fear Street series, I have been incredibly excited and immensely weary. So, how do you take a book series with one-off storylines and turn it into a fun, nostalgic horror movie
Lost in the Reel's video review for The White Lotus. The White Lotus is helmed by Mike White, who has had one very fascinating career. He has written comedies such as School of Rock and Nacho Libre, indie darlings like The Good Girl and Beatriz at Dinner, created another HBO series, the Laura
Lost in the Reel's video review for The Tomorrow War.As years have passed, we've almost become disenchanted by the modern big-budget blockbuster. We rarely get anything that’s not a sequel, franchise installment or remake nowadays. When we do, it's usually a let down by the barrage of
Every once in awhile a movie comes along that makes you think about something you never would have. Have I ever been interested in cars or how environmental standards have changed for cars over the years? Absolutely not. Somehow Steven Soderbergh found a way to weave a story about auto-makers and
The TVA would have to label you as a variant if you saw anything you didn't want to. So go watch episode four of Loki before continuing. In grand MCU fashion, episode 4 of Loki gave us the stinger of all stingers. While we have all come to expect the unexpected when these little mid and
America: The Motion Picture is one of those films that looks fantastic from a trailer. It touts a great cast, a great premise, and some laughs. What it doesn't do, however, is capitalize on any of that. The film promises historical bending action and huge comedy, but at the end of the movie (if you
Indulging every absurd idea that pops into his head, the film unfolds with propulsive vibrance and unshackled execution. That approach turns out to be a bit of a gift and a curse for Riley; a gift in the sense that we get something fresh and original, but a curse because its unbridled approach
Though marital arts action cinema is vast and varied, it is rare for one to elevate the genre and push it forward. There have been few recently - The Raid comes to mind, and while not technically "martial arts" I'd argue John Wick counts - that feel as if something new and special is happening.
This is a first for Marvel Studios and their Marvel Television branch for their Special Presentations. We've had others like Werewolf By Night that introduced a new character, but not one for an already established character like The Punisher. The Punisher: One Last Kill comes off the heels of his
