!['Azrael' - Samara Weaving Stuns In A Movie That Doesn't Know What It Wants To Be [Fright-A-Thon Review]](https://thathollywoodshow.com/wp-content/uploads/2024/09/7c60cadf-eab1-485e-936e-1892eb217667-660x371.webp "7c60cadf-eab1-485e-936e-1892eb217667")
Recently, there seems to be a trend among filmmakers who want to stretch their prowess and make a movie with as little dialogue as possible. Sometimes, it aids the film like with Dunkirk or A Quiet Place. In other cases, as an audience, we need something in the way of dialogue, or it makes the
!['Azrael' - Samara Weaving Escapes The Mute Apocalypse [Trailer]](https://thathollywoodshow.com/wp-content/uploads/2024/08/unnamed-2024-08-19T103127.791-660x440.webp "unnamed – 2024-08-19T103127.791")
Samara Weaving has already shown her mettle as a modern day scream queen in movies like Ready Or Not, The Babysitter, and Scream VI. Now, she's taking her talents to the movie Azrael. The new film from IFC Films is set after the Rapture, where the only humans left are forced to stay mute. It's
This week from DC comics we get a title you do not want to miss! Usually when DC does annuals, they tell stories just outside of continuity or take the story in a different direction somehow. I suppose that is true of this issue as it went in a direction I did not expect. In fact, even though this
For better or for worse, the Cold War action-comedy lives! 35 years after the fall of the Soviet Union, John Francis Daley and Jonathan Goldstein have meshed the longstanding Odd Couple road trip with Iron Curtain hijinks and modern action sensibilities for a surprisingly solid but conceptually
Jaadugar: A Witch in Mongolia gives us a true puppetmistress in the form of Boraqchin in Ep. 11 "An Ungraceful Stone". This episode has shown her to be a master planner and manipulator, making her quite the political genius. However, this episode also reveals that the people she's puppeting don't
Have you ever considered the similarities between the landmark 1978 slasher Halloween and 1982’s First Blood? In both films, a man of few words arrives in a small town that treats him like the bogeyman, and when circumstances escalate to the point of murder, a specialist who’s highly familiar
