In Mamo #3, Orla manages to say those 3 words that would have Admiral Ackbar grinning like a madman. Well, mad-fish-thing. You get the idea.Sas Milledge (The Lost Carnival: A Dick Grayson Graphic Novel) remains the writer and artist behind Mamo. Thus, she remains so for this 3rd issue. Sas Milledge
Basilisk #4 proves that the Chimera aren't invincible. This may not be a good thing in the short term.Cullen Bunn (Harrow County) is the writer for Basilisk #4, as he has been for the past 3 issues. Jonas Scharf (Avengers of the Wasteland) also remains the artist, with Alex Guimarães and Ed
We left off last issue of Magic from BOOM! Studios on a cliffhanger. If you haven't seen the review for that issue, check it out here. Otherwise, spoilers for the current run of the comic are ahead! The big bad for the series is not Nicol Bolas. It's not a Magic villain we've seen much of in the
Mamo #2 proves that while some witches might deserve to die, they may not always stay dead. Not for long, at least.Sas Milledge (The Lost Carnival: A Dick Grayson Graphic Novel) is the writer for Mamo #2, as she was for the previous issue. Milledge is also the artist for this comic book series,
In Eat the Rich, what unspeakable horror eats away at the heart of Crestfall Bluffs? With law school and her whole life ahead of her, Joey plans to summer with her boyfriend Astor in his seemingly perfect hometown of Crestfall Bluffs. It’s a chance to finally meet Astor’s family and childhood
Mamo #1 gives us a clash between modern witchcraft, and the dark arts of unseelie fae. With some possible yuri in the future.Sas Milledge (The Lost Carnival: A Dick Grayson Graphic Novel) is the writer for Mamo #1. Milledge is also the artist for this comic book, so she's basically your average
Jordan Firstman's Club Kid was the talk of the town at this year's TIFF. As well as Telluride. And Cannes. Whatever film festival this film goes to, it invites the kind of enthusiasm that can shake mountains. Going in, I was nervous that Club Kid wouldn't live up to the lofty expectations I had set
Your Mother Your Mother Your Mother is a grounded, pulse pounding gut-punch of a film. A wholly unique experience that proves that you can still iterate on conventions and present them with a sense of newness.
What happens when you make a movie that's about four years too late on its subject matter? You get The Social Reckoning. At this point in our lives, we all know that social media is a cesspool and that a lot of that is Facebook/Meta's fault. They chose to act like the silent arbiter and actively
