This weekend’s box office kept grinding forward rather than any one movie doing exceptionally well. Holdovers dominated the chart; no surprise swings, no miracle debuts, just franchises doing what franchises do. Zootopia 2 anchored the weekend with authority; Five Nights at Freddy’s 2 backed up
This weekend’s box office turned into a chaotic collision of horror, animation, spectacle, and magic trick sequels. While not unexpected in the slightest, Five Nights at Freddy's 2 stormed into theatres with a strong impression. Zootopia 2 kept flexing its staying power; Wicked: For Good held
In this post-pandemic world, it has become hard to tell which films will become huge box office successes. The climate has changed due to evolving viewing habits, streaming, the economy, and other factors that have made it hard to pinpoint the films audiences will make a priority to see in
Disney’s Zootopia 2 Is headed for a big weekend at the box office. Deadline reports that the Animated sequel brought in $10 million in previews. That mark would be the 2nd-highest preview total for a Walt Disney Animation Studios movie. For reference, the one ahead of Zootopia 2 is Moana 2, which
When Regretting You opened a little over four weeks ago, the film was expected to debut on the low end of tracking and contribute to October's rather dismal box office run. The month was littered with fare that underperformed, and the result was October registering the lowest domestic turnout in 27
Box Office analysts were expecting a closer fight for the number one spot between The Running Man and Now You See Me: Now You Don't. But the latter film pulled a rabbit out of a hat and made it an easy first-place finish. The Glen Powell-led dystopian action film grossed $16.5 million over the
"The Debut" turns a comedy that pokes fun at the sincerity of the local stage and elevates it to a fascinating character study of a woman on the edge. While still being hilarious.
In Ink, Danny Boyle explores the launch of the British newspaper The Sun. The tabloid was created as a paper full of things people want to read but feel they shouldn't. It broke ground in 1960 in London for speaking openly about sex, putting sport on the front pages and embracing the working man.
Few studios have set such a precedent within their own genre quite like Laika Studios. With each painstakingly crafted story, they consistently find new ways to level up stop motion animation and push the limits of what can be accomplished. Stop motion is already a marvelous feat of patience and
